Service 07
Sound and Score
Location sound, dialogue edit, mix and original music that gives each film its own atmosphere.
- Deliverable
- Mix and stems
- Typical stage
- Shoot to post
- Standards
- Broadcast loudness
- Music
- Original score
Overview
Audiences forgive a soft image and switch off at bad sound. We treat audio as a full department from the first shoot day through to the final mix, not as something to fix later.
That means proper location recording, a careful dialogue edit, designed atmospheres and original music written for the film rather than pulled off a library shelf.
On location
Recorded clean the first time
Boom and radio mics, separate tracks, room tone and wildtracks captured on the day. In working environments — salons, sports halls, family homes — we plan mic placement around the noise rather than fighting it in post.
Every project comes out of the shoot with organised, labelled audio that the edit can rely on.
In the mix
Dialogue, design and music
We edit dialogue for clarity, build atmospheres and effects, and mix to broadcast loudness standards with stems for delivery. Where a scene needs it we add ADR and foley.
Original score is written to picture with our composers, giving each project its own identity — and clearing the rights problem that library music often creates.
What is included
On the sheet
- Location sound recording
- Boom, radio mics and multitrack
- Dialogue edit and clean-up
- ADR and foley
- Sound design and atmospheres
- Original score and music
- Broadcast-standard mix and stems
- Subtitles and audio description support
“People forgive a soft image. They switch off bad sound.”
Smoggie Bloom — Sound and Score
Also from us
Start a project
Need sound and score?
Send us a couple of lines about the project and we will come back with an honest view of what it takes, what it costs and how quickly we can be on it.
info@smoggiebloom.co.uk · 07380 895 053